|
|
Cinderella Man (2005) |
80 reviews |
Film rated 3.9 / 5
(Chick rating: 3.6 / 5)
(Guy rating: 4 / 5)
|
|
|
|
|
|
Crowe, Zellweger fight Depression. |
|
|
|
Zellweger's Great Depression. |
|
|
|
Braddock survives Baer knuckles. |
|
|
|
Braddock bruises Baer's bravado. |
|
|
|
Crowe's pugnaciousness well used. |
|
|
|
Crowe -- Thousand Dollar Baby. |
|
|
|
Crowe picks fight... again... |
|
|
|
Braddock pops Jethro's pop. |
|
|
|
Depression pug Mae succeed. |
|
|
|
Jim's been punched, drunk. |
|
|
|
Boxing Russell channels self. |
|
|
|
Champion eats Crowe('s fists). |
|
|
|
Boxer humbles killer Baer. |
|
|
|
Boxing Crowe's not de-feated. |
|
|
|
Crowe knocks out prohibition. |
|
|
|
'Killer' Baer's reputation sullied. |
|
|
|
Giamatti's performance: pure Gould. |
|
|
|
Film contains em-Baer-assing distortions. |
|
|
|
Dockworker WAS a contender. |
|
|
|
Crowe learns Sideways swipes. |
|
|
|
Depression sets boxing standards. |
|
|
|
Crowe's direction: use fists! |
|
|
|
Broken-handed boxer overcomes. |
|
|
|
Howard's boxing magnum Opie. |
|
|
|
'Rocky' with better actor. |
|
|
|
Eats hash. Makes mincemeat. |
|
|
|
Dad's fighting. We're hungry. |
|
|
|
Crowe's a mobile fighter. |
|
|
|
Has-been whoops the champ. |
|
|
|
Crowe's 30s 'Rocky' tale. |
|
|
|
Pugilist Crowe comes good. |
|
|
|
Crowe becomes American hero. |
|
|
|
Crowe's Braddock beats Baer. |
|
|
|
Impoverished boxer beats Baer. |
|
|
|
Flying crowe throwing punches. |
|
|
|
Great Depression/ opponent's face. |
|
|
|
Braddock backs up boasts. |
|
|
|
Boxer brings home turtle. |
|
|
|
Crowe boxes the depression. |
|
|
|
Crowe makes magnificent comeback. |
|
|
|
Crowe channels Cinderella champ. |
|
|
|
Howard's depression era 'Rocky'. |
|
|
|
Boxing Braddock battles Baer. |
|
|
|
Crowe fights Jethro's dad. |
|
|
|
Baer becomes Braddock's bitch. |
|
|
|
Boxer Braddock's golden gloves. |
|
|
|
Dignified Crowe decks Depression. |
|
|
|
Max Baer conveniently demonized. |
|
|
|
Punches thrown, not phones. |
|
|
|
Howard Crowe-manticizes Braddock's story. |
|
|
|
Braddock draws First Blood. |
|
|
|
Braddock, Present in Action. |
|
|
|
Howard advances Baer-faced lies. |
|
|
|
|
|