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Good, The Bad And The Ugly, The (1966) |
| 92 reviews |
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Film rated 4.8 / 5
(Chick rating: 4.2 / 5)
(Guy rating: 4.8 / 5)
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| Leone Shoots, Morricone scores. |
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| Horse escapes Ugly, Tree. |
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| Leone shoots three-way (shootout). |
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| Leone serves finest spaghetti. |
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| For 200,000 Dollars More. |
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| Graveyard finale tests trio. |
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| 'Bad' makes 'grave' mistake. |
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| Good quarter-mill Hunting. |
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| Positive, negative, unattractive collective. |
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| Good, bad, ugly. Brilliant. |
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| Westbound Eastwood's final Spaghetti. |
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| Mexican stand-off in Italy. |
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| 'Unknown' territory tricks Ugly. |
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| Angel Eyes cemetery stash. |
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| Macho Clint models poncho. |
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| Clint squints, gold glints. |
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| Sergio Leone does close-ups. |
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| Eastwood's Blondie shoots first! |
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| Outlaws' prospects, Civil War. |
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| Italian anti-hero Clint returns. |
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| Trio seek buried treasure. |
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| Angel Eyes; 'Grave' ending. |
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| Squinting Eastwood, extreme close-up. |
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| Righteous, Wicked, Grotesque caballeros. |
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| Wallach just playin' Ugly. |
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| Angel's eyes. Devil's heart. |
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| 'Ugly' grave misunderstanding. |
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| Tripartite graveyard shootout climax. |
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| Ugly remembers nooses well. |
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| 'The Good?' Good marksman! |
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| Shorty's unexpectedly well hung. |
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| Blondie 'picks' Ugly fruit. |
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| Ugly attracts noose, trouble. |
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| Clint, Lee packing Wallach. |
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| Spaghetti, balls and sauce. |
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| Clint's cigar soothes soldier. |
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| Breakfast with Angel Eyes. |
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| Clint's original Leone King. |
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| Eastwood's three-way face-off finale. |
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| Eastwood seeks buried dollars. |
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| Mexican stand-off at cemetery. |
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| Serial betrayers's payroll venture. |
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| Blondie: Strong, silent, individualist. |
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| Three gunmen hunt payroll. |
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| Eastwood's meatiest spaghetti western. |
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| Blondie out-guns Angel Eyes. |
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| Clint leaves 'em hangin'. |
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| Gunslingers form unruly partnership. |
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| Blondie keeps secret well. |
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| Jewellery box based western. |
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| Hangman's noose, comes loose! |
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| Civil war interupts trio. |
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| Unknown soldier worth $200,000. |
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| Greedy gunslingers with gusto. |
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| Anti-hero Eastwood captures gold. |
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| America analogised, brutish truth. |
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