|
|
M�pris, Le (1963) |
28 reviews |
Film rated 4.1 / 5
(Chick rating: 5 / 5)
(Guy rating: 4 / 5)
|
|
|
|
|
|
Bardot's Romeo wrecks Alfa. |
|
|
|
Godard's multi-layered Odyssey. |
|
|
|
Lang-uid 'Odyssey' upsets producer. |
|
|
|
Producer Palance prods Piccoli. |
|
|
|
Palance's Prokosh produces, seduces. |
|
|
|
Contempt culminates on Capri. |
|
|
|
Bardot becomes bodacious odyssey. |
|
|
|
Godard fetishizes Bardot's backside. |
|
|
|
Godard's conjugal mystery movie. |
|
|
|
Writer's selfishness breeds contempt. |
|
|
|
Piccoli recites Inferno 26. |
|
|
|
Cinematic adultery at Capri. |
|
|
|
Piccoli's 'Odyssey' of humiliation. |
|
|
|
Javal's contempt's an Odyssey. |
|
|
|
Godard deconstructs Bardot mystique. |
|
|
|
Palance steals Piccoli's wife. |
|
|
|
35-minute marital dispute. |
|
|
|
Crass producer cuckolds screenwriter. |
|
|
|
Bardot bares beautiful buns. |
|
|
|
Writer loses wife's love. |
|
|
|
Godards contempt-able Lang odyssey. |
|
|
|
Piccoli pimps wife Bardot. |
|
|
|
Lang recites H�lderlin poem. |
|
|
|
Piccoli portrays spineless screenwriter. |
|
|
|
|
|