|
|
 |
Blade Runner (1982) |
| 276 reviews |
|
Film rated 4.4 / 5
(Chick rating: 4.1 / 5)
(Guy rating: 4.4 / 5)
|
|
|
|
|
|
|
| Moody android chases androids. |
|
|
|
|
| The future brings... rain. |
|
|
|
|
| Harrison romances robot babe. |
|
|
|
|
| Director's cut much better. |
|
|
|
|
| Rutger Hauer's 'career' launcher. |
|
|
|
|
| Hitcher Hauer haunts Harrison. |
|
|
|
|
| Retired Deckard retires replicants. |
|
|
|
|
| Bring back the narrative. |
|
|
|
|
| Surreal, romantic, melancholy, exquisite. |
|
|
|
|
| Downtown LA never changes. |
|
|
|
|
| Robot Rutger fights Solo. |
|
|
|
|
| Strange, beautiful, moody, sad. |
|
|
|
|
| Atmospheric, emotional, well directed. |
|
|
|
|
| Robotic cat /mouse storyline. |
|
|
|
|
| 'Director's Cut' ruined classic! |
|
|
|
|
| Unicorn as replicant metaphor. |
|
|
|
|
| Androids dream- Electric sheep. |
|
|
|
|
| Masterwork spins rainy future. |
|
|
|
|
| Humans replicated, lightbulbs forgotten. |
|
|
|
|
| Replicant didn't improve world. |
|
|
|
|
| Scotts brilliant depressing vision. |
|
|
|
|
| Horizontal lighting much imitated. |
|
|
|
|
| Unicorns. Origami. Androids. Darkness. |
|
|
|
|
| Replicant chases other replicants. |
|
|
|
|
| Often duplicated, never replicated. |
|
|
|
|
| Futuristic hunter hunts kin? |
|
|
|
|
| Rainy technoir still incomparable. |
|
|
|
|
| Epic clone bashing masterpiece. |
|
|
|
|
| Gripping Harrison, Hauer grinning. |
|
|
|
|
| Automaton Sam Spade investigates. |
|
|
|
|
| Film questions life's preciousness. |
|
|
|
|
| Android love and origami. |
|
|
|
|
| Ridley nails Dick magnificently. |
|
|
|
|
| Hannah wooden, Young plastic. |
|
|
|
|
| Ford retires artificial people. |
|
|
|
|
| Rutger rocks replicant reality. |
|
|
|
|
| Great movie, depressing future. |
|
|
|
|
| Depressing city with androids. |
|
|
|
|
| Dark, brooding futuristic Ford. |
|
|
|
|
| Scott's Dick doesn't suck. |
|
|
|
|
| Decker tests for lesbianism? |
|
|
|
|
| Planned obsolescence causes problems. |
|
|
|
|
| TDK product placement backfires. |
|
|
|
|
| Android's quest for humanity. |
|
|
|
|
| Rebelling replicants running rampant. |
|
|
|
|
| Replicants reach sell by. |
|
|
|
|
| Deckard dreams electric sheep. |
|
|
|
|
| Origami, slaughter, dove. End. |
|
|
|
|
| Harrison understands robot's plight. |
|
|
|
|
| Dark film reigns forever. |
|
|
|
|
| Ford chases robots, origami. |
|
|
|
|
| Dark futuristic robot killing. |
|
|
|
|
| Robo-bonking runs rampant. |
|
|
|
|
| Man/ machine gap blurred. |
|
|
|
|
| Ford's blow-up doll fantasy. |
|
|
|
|
| Hauer humps Harrison's hero. |
|
|
|
|
| Ford a robot? Understandable. |
|
|
|
|
| Futuristic L.A. even worse. |
|
|
|
|
| Robotic unicorns for Harrison? |
|
|
|
|
| Ford battles robots, conscience. |
|
|
|
|
| Android adroitly annihilates automatons. |
|
|
|
|
| Androids get religious revenge. |
|
|
|
|
| Ford cops replicant attitude. |
|
|
|
|
| Ridley's Runners run riot. |
|
|
|
|
| Fake people stretch Harrison. |
|
|
|
|
| Original voiceover robotically read. |
|
|
|
|
| Chinatown drives Ford Batty. |
|
|
|
|
| Roy symbolizes Cyber-Christ. |
|
|
|
|
| Deckard's humanity in doubt. |
|
|
|
|
| Hannah And Her Resistors. |
|
|
|
|
| Ridley's futuristic caper depressing. |
|
|
|
|
| Emotionless automaton chases Hauer. |
|
|
|
|
| Robots humanistic, humans not. |
|
|
|
|
| Replicant discovers inner self. |
|
|
|
|
| Ford's femmebot lives forever. |
|
|
|
|
| Deckard discovers he repli-can! |
|
|
|
|
|
|
|
|
