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| Corleone bosses are juxtaposed. |
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| Michael's descent into evil. |
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| Bobby DeNiro channels Brando. |
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| Fredo: hacked, smacked, whacked. |
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| DeNiro starts crime empire. |
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| Michael's pissed, Fredo's kissed. |
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| Pacino's kiss dooms brother. |
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| Coppola's Corleones captivate- again. |
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| Fredo sleeps with fishes. |
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| The Corleones kill everyone. |
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| They're just Coppola brothers. |
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| Puzo's flashback-saturated sequel. |
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| Godfather's father's further history. |
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| Deniro does 'mustache Pete'. |
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| Godfather's father farther back. |
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| Vito father then godfather. |
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| Godfather fathers future godfather. |
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| Fredo, disorganized crime figure. |
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| Michael Corleone, pro life. |
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| Michael turns mafia boss. |
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| Godfather 2: Fredo's Vacation. |
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| Offer Fredo can't refuse. |
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| Fredo's sleeping arrangments changed. |
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| DeNiro ditches cotton balls. |
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| De Niro. Pacino. Mafioso! |
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| First Communion in Tahoe. |
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| Hagen demands an apology. |
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| Family business history lesson. |
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| Brotherly love, Italian style. |
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| Michael Corleone commits fratricide. |
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| DeNiro, Pacino don't meet. |
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| Five-Angels meets angels. |
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| Young Don, youthful viciousness. |
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| Vito loved, Michael feared. |
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| Kay aborts bad relationship. |
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| Freaky Fredo finally heartbreaker. |
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| Michael's Cain, John's Abel. |
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| Old Hyman finally pierced. |
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| Brother betrays, Michael repays. |
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| Senator compromised. Casino approved. |
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| Fredo kisses, fishes, dies. |
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| Mafia son mirrors father. |
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| Michael cries, Fredo dies. |
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| DeNiro nails Brando's voice! |
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| Michael Corleone's dark descent. |
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| DeNiro's towel catches fire. |
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| Michael runs family business. |
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| Michael Corleone, anti abortion. |
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| 'Family' corruption, Italian-style. |
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| Past, present crime family. |
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| Fredo catches, feeds fishes. |
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| Corleone takes the Michael. |
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| Familia's timeline gets whacked. |
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| Brando's memory respected, bettered. |
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| Michael betrays with kiss. |
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| Michael experiences Cuba Libre. |
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| Protect Family, lose family. |
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| Michael's marriage isn't o'Kay. |
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| Vito's real name: Andolini. |
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| Vito's beginning; Michael's continuation. |
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