|
|
 |
Dangerous Liaisons (1988) |
| 55 reviews |
|
Film rated 4.1 / 5
(Chick rating: 4.4 / 5)
(Guy rating: 3.9 / 5)
|
|
|
|
|
|
|
| Malkovich wants Close encounter. |
|
|
|
|
| Malkovich's Fatal Attraction. |
|
|
|
|
| Valmont up Close, Pfeiffer. |
|
|
|
|
| Snobbish frogs' frotting frenzy. |
|
|
|
|
| Much adieu about bluffing. |
|
|
|
|
| Malkovich's magnificent aristocratic malice. |
|
|
|
|
| French letters fool Pfeiffer. |
|
|
|
|
| Bet Malkovich can't fuck. |
|
|
|
|
| Machiavellian Malkovich manipulates masterfully. |
|
|
|
|
| French letters spread mischief. |
|
|
|
|
| French nobles shag, scheme. |
|
|
|
|
| Malkovich fences Neo, loses. |
|
|
|
|
| Uma's a great escritoire! |
|
|
|
|
| Seduction: Marquise Valmont's word! |
|
|
|
|
| Close challenges confident Malkovich. |
|
|
|
|
| Deliciously evil Malkovich delights. |
|
|
|
|
| Ted's terrible French adventure. |
|
|
|
|
| Valmont's desktops: soft, supple. |
|
|
|
|
| Lusty french aristocrats shag. |
|
|
|
|
| Close, Malkovich torment Pfeiffer. |
|
|
|
|
| Calculating Close manipulates Malkovich. |
|
|
|
|
| Old school 'Cruel Intentions'. |
|
|
|
|
| Close destroyed, Uma revenged. |
|
|
|
|
| Snobby french sex fiends. |
|
|
|
|
| Malkovich teaches Uma latin! |
|
|
|
|
| Close encouters with Malkovich. |
|
|
|
|
| Close plots. Pfeiffer's hot. |
|
|
|
|
| Rococo-ing Tourvel's world. |
|
|
|
|
| Malevolent Malkovich. Fuming Pfeiffer. |
|
|
|
|
| Malkovich makes Michelle miserable. |
|
|
|
|
| French style love letters. |
|
|
|
|
| Uma stripped, Malkovich flipped. |
|
|
|
|
| Malkovich denied getting Close. |
|
|
|
|
| Malkovich - wanton, wigged wooer. |
|
|
|
|
| Malkovich undermines KeanUma coupling. |
|
|
|
|
| Frears' freaky Frenchie frolic. |
|
|
|
|
| Manipulative bastard atones sins. |
|
|
|
|
| John's intentions are cruel. |
|
|
|
|
| Michelle doesn't ditch Malkovich. |
|
|
|
|
| Malkovich lectures, diddles ingenue. |
|
|
|
|
| Malkovich plays devious knobleman. |
|
|
|
|
| Pfeiffer shagged for bet. |
|
|
|
|
| Malkovich manipulates many maidens. |
|
|
|
|
| Malkovich woos, loses Pfieffer. |
|
|
|
|
|
|
